{"id":158,"date":"2020-05-27T08:48:05","date_gmt":"2020-05-27T15:48:05","guid":{"rendered":"http:\/\/amyredmond.com\/amadapress\/prints\/?page_id=158"},"modified":"2024-03-04T23:11:46","modified_gmt":"2024-03-05T07:11:46","slug":"events","status":"publish","type":"page","link":"https:\/\/amyredmond.com\/amadapress\/prints\/events\/","title":{"rendered":"Exhibitions, Publications &#038; Speaking Engagements"},"content":{"rendered":"<span style=\"color: #808080; font-size: 0.75em;\"><a style=\"color: #993300; text-decoration: none;\" href=\"#honors\">Honors<\/a> |\u00a0<a style=\"color: #993300; text-decoration: none;\" href=\"#exhibitions\">Exhibitions<\/a> |\u00a0<a style=\"color: #993300; text-decoration: none;\" href=\"#pubs\">Publications<\/a> | <a style=\"color: #993300; text-decoration: none;\" href=\"#engagements\">Speaking\/Teaching<\/a><\/span>\n<h6><span id=\"honors\" style=\"color: #808080;\">HONORS<\/span><\/h6>\n<h3><a href=\"https:\/\/artisttrust.org\/index.php\/award-winners\/artist-profile\/amy_e_redmond\/\" target=\"_blank\" rel=\"noopener\">GAP Award Recipient<\/a> (2018)<\/h3>\n<p class=\"p1\"><span style=\"color: #999999;\">Grant for Artist Projects (Artist Trust)<\/span><\/p>\n<p class=\"p2\">In 2018 I received GAP Award funding from Artist Trust to add safe, energy-efficient heating to my printmaking studio. This grant helps protect my irreplaceable letterpress equipment from the damaging effects of cold marine air and affords me the mental and physical capacity to pursue printmaking year-round.\u00a0\u00a0<em>{<a href=\"https:\/\/artisttrust.org\/index.php\/news\/press-release\/artist_trust_announces_2018_grants_for_artist_projects_gap_award_recipients\" target=\"_blank\" rel=\"noopener\">Read full Press Release<\/a>}\u00a0<\/em><\/p>\n<span id=\"exhibitions\">\u00a0<\/span>\n\n<hr \/>\n\n<h6><span style=\"color: #808080;\">EXHIBITIONS<\/span><\/h6>\n<h3>New Impressions<\/h3>\n<p class=\"p1\"><span style=\"color: #999999;\">Juried Exhibition (July 1 \u2013 Sept. 30, 2020)<\/span>\n<span style=\"color: #999999;\"><span class=\"s1\">Hamilton Wood Type &amp; Printing Museum (Two Rivers, WI)<\/span><\/span><\/p>\n\n\nJuried, international exhibition of contemporary letterpress printing (2017\u20132020).\n\n\n<h3>Northwest Fine Arts Competition<\/h3>\n<p class=\"p1\"><span style=\"color: #999999;\">Juried Exhibition (June 10 \u2013 July 10, 2020)<\/span>\n<span style=\"color: #999999;\"><span class=\"s1\">Phinney Center Gallery (Seattle, WA)<\/span><\/span><\/p>\nJuried exhibition of visual works created by 20 Seattle-based emerging artists.\n<h3>Ink Matters<\/h3>\n<p class=\"p1\"><span style=\"color: #999999;\">Juried Exhibition (March 6 \u2013 21, 2020)<\/span>\n<span style=\"color: #999999;\"><span class=\"s1\">Kokomo Downtown Art Gallery (Kokomo, IN)<\/span><\/span><\/p>\nJuried exhibition of contemporary American printmaking (2018\u20132020).\n<h3><a href=\"https:\/\/www.davidsongalleries.com\/exhibitions\/contemporary-northwest-print-invitational-2019\/\">Contemporary Northwest Print Invitational 2019<\/a><\/h3>\n<p class=\"p1\"><span style=\"color: #999999;\">Juried Exhibition (August 1 \u2013 31, 2019)<\/span>\n<span style=\"color: #999999;\"><span class=\"s1\">Davidson Galleries (Seattle, WA)<\/span><\/span><\/p>\nSeattle Print Arts and Davidson Galleries partnered for a\u00a0juried exhibition\u00a0featuring contemporary Pacific Northwest Print Artists, which opened in conjunction with Pioneer Square&#8217;s First Thursday Artwalk. Jurors selected\u00a0<a href=\"https:\/\/amyredmond.com\/amadapress\/prints\/ei-series-06\/\" target=\"_blank\" rel=\"noopener\"><em>EI Series [No. 6]<\/em><\/a>\u00a0, from my iterative editioned series exploring type as image under the constraints of time.\n<h3><a href=\"http:\/\/www.mightytieton.com\/events\/2019\/8\/10\/10x10x10xtietonexhibition\">10x10x10xTieton<\/a><\/h3>\n<p class=\"p1\"><span style=\"color: #999999;\">Juried Exhibition (August 10 \u2013 October 6, 2019)<\/span>\n<span style=\"color: #999999;\"><span class=\"s1\">Mighty Tieton Warehouse (Tieton, WA)<\/span><\/span><\/p>\nNow in its tenth year, 10x10x10xTieton exhibits 175 small works from around the world each year, creating one of the most diverse juried shows in Washington&#8217;s Yakima Valley. With no media restrictions, the exhibition has a broad range of pieces on display, from sculpture to prints, book arts, photography and everything in between.\u00a0<a href=\"https:\/\/amyredmond.com\/amadapress\/prints\/time-left-unattended-2018\/\" target=\"_blank\" rel=\"noopener\"><em>Time, Left Unattended<\/em><\/a> acknowledges my frustration with squandered opportunity, and explores the dual role letterforms play as language and image.\n<h3><a href=\"https:\/\/www.mcbrunopress.com\/end-of-times\/\" target=\"_blank\" rel=\"noopener\">End of Times 3: Precious Times<\/a><\/h3>\n<p class=\"p1\"><span style=\"color: #999999;\">Invitational Exhibition (January 14 \u2013 March 1, 2019)<\/span>\n<span style=\"color: #999999;\"> <span class=\"s1\">Gorecki Gallery \/ College of St. Benedict (St. Joseph, MN)\u00a0<\/span><\/span><\/p>\n<p class=\"p2\">This invitational letterpress exhibition was curated and coordinated by artist Mary Bruno on the theme of positivity during challenging times. The traveling show premiered at the Gorecki Gallery and included an\u00a0<a href=\"https:\/\/www.mcbrunopress.com\/experience\/2019\/2\/21\/end-of-times-3-precious-times-opening-reception\" target=\"_blank\" rel=\"noopener\">Artists Reception &amp; panel talk<\/a>\u00a0on February 21, 2019 (5\u20137pm).<\/p>\n<p class=\"p2\">My newest print <em>Time, Left Unattended<\/em> (2018), composed of handset metal &amp; wood types, is\u00a01 of 30 prints in this exhibition of work by contemporary letterpress printers from all over the globe. Additional venues to which the show will travel includes, but is not limited to:<\/p>\n\n<ul>\n \t<li><span style=\"color: #999999;\"><strong>Soo Visual Arts Center<\/strong>\u00a0| Minneapolis, MN | February 22\u2013March 31, 2019 (<span style=\"color: #808080;\"><a style=\"color: #808080;\" href=\"https:\/\/www.mcbrunopress.com\/experience\/2019\/2\/22\/end-of-times-3-precious-times-opening-reception\">Reception: 2\/22\/19, 6\u20138pm<\/a><\/span>)<\/span><\/li>\n \t<li><span style=\"color: #999999;\"><strong>School of Visual Concepts<\/strong>\u00a0\u00a0| Seattle, WA\u00a0| Summer 2019<\/span><\/li>\n<\/ul>\n<h3><a href=\"https:\/\/www.theartproject.org\/the-art-project\/\">Letterpress: Making Impressions<\/a><\/h3>\n<p class=\"p1\"><span style=\"color: #999999;\">Invitational Exhibition (January 4 \u2013 28, 2019)<\/span>\n<span style=\"color: #999999;\"><span class=\"s1\">The Art Project (Bainbridge Island, WA)<\/span><\/span><\/p>\n<p class=\"p2\">This group invitational showcased letterpress prints by artists from the western U.S. &amp; Canada, including Jessica Spring, Michael Hepher, Amy Redmond, Sarah Kulfan, Jenny Wilkson, Yoshiko Yamamoto,\u00a0Myrna Keliher, Ellie Mathews, Heidi Hespelt, Laura Bentley, Katie Dean, Carl Youngman and Carl Montford. {<a href=\"https:\/\/www.theartproject.org\/the-art-project\/\">Opening reception: Jan. 4, 2019, 6\u20138pm<\/a>}<\/p>\n\n<h3><a href=\"http:\/\/www.mightytieton.com\/events\/2018\/8\/11\/10x10x10xtietonexhibition\"><em>10x10x10xTieton<\/em><\/a><\/h3>\n<p class=\"p1\"><span style=\"color: #999999;\">Juried Exhibition (August 11 \u2013 October 7, 2018)<\/span>\n<span style=\"color: #999999;\"> <span class=\"s1\">Tieton Warehouse (Tieton, WA)<\/span><\/span><\/p>\n10x10x10xTieton exhibits 175 small works from around the world each year, creating one of the most diverse juried shows in Washington&#8217;s Yakima Valley. With no media restrictions, the exhibition has a broad range of pieces on display, from sculpture to painting, book arts, photography and everything in between. <em><a href=\"https:\/\/amyredmond.com\/amadapress\/prints\/ih7\/\">IH7!JT<\/a><\/em> is the first in an on-going series of iterative letterpress prints in which I&#8217;m exploring type forms as composition.\n<h3><a href=\"https:\/\/www.eventbrite.com\/e\/pressing-on-the-letterpress-film-tickets-43145297747\"><em>Why Letterpress: Experimental Adventures<\/em><\/a><\/h3>\n<p class=\"p1\"><span style=\"color: #999999;\">Group Exhibition (March 31 \u2013 April 12, 2018)<\/span>\n<span style=\"color: #999999;\"> <span class=\"s1\">Mainframe Studios (Des Moines, IA)<\/span><\/span><\/p>\nFive of my <a href=\"https:\/\/amyredmond.com\/amadapress\/prints\/tag\/why-letterpress-group-show\/\">editioned prints<\/a> appeared in this\u00a0exhibition featuring over 100 works by contemporary letterpress artists from around the United States. Presented in conjunction with the free screening of\u00a0<em>Pressing On: The Letterpress Film<\/em>\u00a0the show&#8217;s opening followed an artist panel talk about the importance of preserving letterpress, printing history, community connections, experimental methods and the age-old question of &#8220;Why Letterpress?&#8221; Hosted by Red Door Press, AIGA Iowa, and Mainframe Studios.\n<h3><a href=\"http:\/\/arts.ucdavis.edu\/announcement\/zach-clark-great-hope\"><em>Great Hope: Print Show &amp; Exchange<\/em><\/a><\/h3>\n<span style=\"color: #999999;\"><span class=\"s1\">August 10\u201331, 2018\n<\/span><\/span><span style=\"color: #999999;\"><span class=\"s1\">Tiny Town Gallery (Tucson, AZ)\n<\/span><\/span>\n\n<span style=\"color: #999999;\">February 12\u201323, 2018<\/span>\n<span style=\"color: #999999;\"> <span class=\"s1\">University of MA \/ Student Union Gallery (Amherst, MA)<\/span><\/span>\n\nThis show of editioned print-based work is comprised of two parts, shown in unison, about the people, places, and experiences that encourage and sustain us. The first part is a collection of work created by Zach Clark (National Monument Press) in response to stories and ideas of hope. The second part, in which my print <em>St. Lawrence River\u00a0<\/em>is featured,\u00a0is the work of 50 American artists, each print measuring 7\u201dx7\u201d to create a unifying and democratic field for both the artist and the viewer. After the show, each artist received a portfolio of the full body of work, allowing the exchange to continue well beyond the physical exhibition.\n<h3><a href=\"https:\/\/endoftimesprints.wordpress.com\/\"><em>End of Times 2: The Time is Now<\/em><\/a><\/h3>\n<p class=\"p1\"><span style=\"color: #999999;\">Traveling Letterpress Print Exhibition (2017\u20132018)<\/span>\n<span style=\"color: #999999;\"> <span class=\"s1\">College of Saint Benedict; St. Joseph, MN + other venues<\/span><\/span><\/p>\n<p class=\"p2\"><a href=\"https:\/\/amyredmond.com\/amadapress\/prints\/scavenger-2017\/\"><em>Scavenger<\/em> (2017)<\/a>, composed of handset metal &amp; wood types with an image hand-carved from linoleum, is\u00a01 of 41 prints in this traveling exhibition of work by contemporary letterpress printers. It was curated and coordinated by artist Mary Bruno on the theme of perseverance in challenging times. Venues to which the show traveled include, but are not limited to:<\/p>\n\n<ul>\n \t<li><span style=\"color: #999999;\"><strong>Wekell Gallery, Pacific Lutheran University<\/strong>\u00a0\u00a0| Tacoma, WA\u00a0| February\u2013April,\u00a0 2018<\/span><\/li>\n<\/ul>\n<ul>\n \t<li><span style=\"color: #999999;\"><strong>School of Visual Concepts\u00a0<\/strong>\u00a0| Seattle, WA\u00a0| May\u2013June 2017<\/span><\/li>\n \t<li><span style=\"color: #999999;\"><strong>College of St. Benedict<\/strong>\u00a0\u00a0| St. Joseph, Minnesota | April 20\u2013May 20, 2017<\/span><\/li>\n<\/ul>\nThis traveling letterpress exhibition first premiered at the College of Saint Benedict Clemens Library in St. Joseph, MN and included a panel discussion with 7 of the artists, including me, about how the exhibition\u2019s theme of perseverance relates to their work.\n<h3><a href=\"http:\/\/hatchshowprint.com\/visit\/pressing-on-a-celebratory-exhibition\"><i>Pressing On: A Celebratory Exhibition<\/i><\/a><\/h3>\n<p class=\"p1\"><span style=\"color: #999999;\">Group Exhibition (May 25 \u2013 June 12, 2017)<\/span>\n<span style=\"color: #999999;\"> <span class=\"s1\">Haley Gallery \/ Hatch Show Print (Nashville, TN)<\/span><\/span><\/p>\nIn celebration of the world premiere of<i>\u00a0Pressing On: The Letterpress Film<\/i>, Hatch Show Print\u2019s Haley Gallery hosted this exhibition of the work from over 50 letterpress artists. I was honored to have three of my works from my past 19 years of printing in this show.\u00a0\u00a0<em>{<a href=\"http:\/\/hatchshowprint.com\/visit\/pressing-on-a-celebratory-exhibition\" target=\"blank\" rel=\"noopener\">Learn more<\/a>}<\/em>\n<h3><a href=\"http:\/\/23sandy.com\/works\/blog-postings\/now-showing-ink-metal-paper\"><i>Ink + Metal + Paper<\/i><\/a><\/h3>\n<p class=\"p1\"><span style=\"color: #999999;\">Letterpress Print Exhibition (Feb. 4\u201327, 2016)<\/span>\n<span style=\"color: #999999;\"><span class=\"s1\">23 Sandy Gallery (Portland, OR)<\/span><\/span><\/p>\nThis invitational exhibition was curated by C.C. Stern Type Foundry, a working museum and non-profit organization dedicated to preserving the art and industry of the typographic form. The show features letterpress work from a select international roster of 24 renowned printers and includes books and broadsides showcasing the use of metal type, ornaments, and border elements in relief printing. My 2015 broadside\u00a0<a href=\"https:\/\/amyredmond.com\/amadapress\/prints\/svc-chb2015\/\"><em>How to Fix a Laptop<\/em><\/a>\u00a0was one of 31 pieces selected for this show.\u00a0\u00a0{<a href=\"http:\/\/23sandy.com\/works\/product-category\/current\/ink-metal-paper\">View full catalog<\/a>}\n<h3><a href=\"https:\/\/www.flickr.com\/photos\/stumptownprinters\/sets\/72157628106379469\/with\/6387355119\/\"><em>Yea Big!\u00a0<\/em>Tiny Pop-Up Print Show<\/a><\/h3>\n<p class=\"p1\"><span style=\"color: #999999;\">Traveling Letterpress Print Exhibition (2011\u20132012)<\/span>\n<span style=\"color: #999999;\"> <span class=\"s1\">Stumptown Printers (Portland, OR) &amp; other US venues<\/span><\/span><\/p>\n<i>Yea Big!<\/i> is a world-traveling group exhibition of miniature letterpress prints made by 50 contemporary letterpress printers, each measuring 2&#215;3 inches. The show was curated and coordinated by Stumptown Printers in Portland, Oregon. My print, <em>One Percent<\/em>, was composed of metal type and vintage advertising cuts. Venues to which the show traveled include, but are not limited to:\n<ul>\n \t<li><span style=\"color: #999999;\"><strong>Door No. 3 <\/strong>|<strong> Twisp, Washington<\/strong> | <strong>Summer 2012<\/strong><\/span>\nDoor No. 3 is a non-profit community-based artist studio which offers classes and facilities for fine art printing and book making. An opening reception was held Saturday, July 14, 2012 from 4\u20137pm.<\/li>\n \t<li><span style=\"color: #999999;\"><strong>The Arm Letterpress<\/strong> | <strong>Brooklyn, NY<\/strong> |\u00a0<strong>05.09.12\u201305.27.12\n<\/strong><\/span>The Arm is a public access letterpress studio, teaching facility &amp; commercial print shop located in the Williamsburg neighborhood.<\/li>\n \t<li><span style=\"color: #999999;\"><strong>Projekt LOVE_<\/strong> | <strong>Vienna, Austria<\/strong> |\u00a0<strong>03.01.12\u201303.31.12\n<\/strong><\/span>Projekt LOVE_ is run by 9 artists and theoreticians who host exhibitions, concerts, readings, and collaborations with Austrian and international artists and institutions. The group considers that the process of creating new venues for art, its presentation, exchange and discussion is as important as creating art itself. The space was a perfect match for these tiny limited edition travelers.<\/li>\n \t<li><span style=\"color: #999999;\"><strong>Stumptown Printers<\/strong>\u00a0| <strong>Portland, OR<\/strong> | <strong>11.17.11\u201301.06.12\n<\/strong><\/span>The group show kicked off in the gallery at\u00a0Stumptown Printers before setting out on its worldly travels.<\/li>\n<\/ul>\n<span id=\"pubs\">\u00a0<\/span>\n\n<hr \/>\n\n<h6><span style=\"color: #808080;\">publications<\/span><\/h6>\n<h3><a href=\"https:\/\/shop.uppercasemagazine.com\/collections\/books\/products\/print-maker\">Print \/ Maker<\/a><\/h3>\nAmada Press is honored to be featured alongside some of my favorite letterpress contemporaries in Janine Vangool&#8217;s latest addition to her UPPERCASE Encyclopedia of Inspiration series, <i>Print \/ Maker<\/i> (Volume P). The book profiles designers, artists and craftspeople who use printmaking and print technology to make things for themselves and others. It includes in-depth interviews with printers, stationers, publishers, zine-makers, homeware and clothing designers through studio pictures, portfolios and sound advice from print\/makers from around the world. Published October 2018 by Uppercase Magazine. (<a href=\"https:\/\/shop.uppercasemagazine.com\/collections\/books\/products\/print-maker\">Order the book<\/a>.)\n<h3><a href=\"https:\/\/www.boxcarpress.com\/blog\/2018-seattle-childrens-hospital-broadsides-part-2\/\">2018 Children&#8217;s Hospital Broadside Project<\/a><\/h3>\n<p class=\"p2\">This collaboration between the School of Visual Concepts and Seattle Arts &amp; Lectures&#8217; Writers in the Schools program at Seattle Children&#8217;s Hospital yields some of the most moving and meaningful work to come off SVC&#8217;s presses. Terminally ill and long-term patients write poems from the heart, which SVC&#8217;s team of artists turn into stunning letterpress broadsides. Article written &amp; published in November 2018 by Boxcar Press.\u00a0\u00a0<em>{<a href=\"https:\/\/www.boxcarpress.com\/blog\/2018-seattle-childrens-hospital-broadsides-part-2\/\" target=\"blank\" rel=\"noopener\">Read full article<\/a>}<\/em><\/p>\n\n<h3><a href=\"https:\/\/www.boxcarpress.com\/blog\/letterpress-journeys-amy-redmond-amada-press\/\">Letterpress Printing Journeys: Amy Redmond of Amada Press<\/a><\/h3>\nAn interview with Amy E. Redmond of Amada Press, published in November 2017 by Boxcar Press.\n<h3><a href=\"http:\/\/amyredmond.com\/portfolio\/publications\/interrobang-sota07\/\">A Boy and His Type: The Typographic Art of Christopher Stern<\/a><\/h3>\nArticle for<i> Interrobang,\u00a0<\/i>written by Amy E. Redmond &amp; published in 2007 by the Society of Typographic Aficionados (SOTA).\n\n<span id=\"engagements\">\u00a0<\/span>\n\n<hr \/>\n\n<h6><span style=\"color: #808080;\">speaking + teaching engagements<\/span><\/h6>\n<h3><a href=\"https:\/\/www.facebook.com\/onlineletterpressfestival\/videos\/2725018627823064\/\" target=\"_blank\" rel=\"noopener\"><em>Amada Press Studio Tour<\/em><\/a><\/h3>\n<p class=\"p1\"><span style=\"color: #999999;\">United in Isolation: Online Letterpress Festival<\/span>\n<span style=\"color: #999999;\"> <span class=\"s1\">May 23, 2020 (Season 1, Episode 6)<\/span><\/span><\/p>\n<p class=\"p2\">Amada Press was one of four letterpress studios featured in this live stream broadcast of\u00a0<em>United in Isolation:<\/em> <em data-rich-text-format-boundary=\"true\">An Online Letterpress festival. <\/em>Countries represented in this 6th episode include Scotland, Pakistan, Uruguay and the United States.\u00a0\u00a0{<a href=\"https:\/\/www.facebook.com\/onlineletterpressfestival\/videos\/2725018627823064\/\" target=\"_blank\" rel=\"noopener\">Watch Video<\/a>}<\/p>\n\n<h3><a href=\"https:\/\/glog.glennf.com\/tiny-type-blog\/2020\/3\/26\/amy-redmond-and-jenny-wilkson-the-tiny-type-cast\" target=\"_blank\" rel=\"noopener\"><em>The Tiny Typecast: Amy Redmond &amp; Jenny Wilkson<\/em><\/a><\/h3>\n<p class=\"p1\"><span style=\"color: #999999;\">The Tiny Type Podcast \/ Glenn Fleishman<\/span>\n<span style=\"color: #999999;\"> <span class=\"s1\">March 26, 2020<\/span><\/span><\/p>\n<p class=\"p2\">Seattle&#8217;s vibrant community of printers keep letterpress traditions alive while also stoking the fires of a new generation and trying new kinds of printing, mixing different techniques onto the press, and new methods of making material for press, like laser cutters.\u00a0\u00a0{<a href=\"https:\/\/glog.glennf.com\/tiny-type-blog\/2020\/3\/26\/amy-redmond-and-jenny-wilkson-the-tiny-type-cast\" data-rich-text-format-boundary=\"true\">Listen<\/a>}<\/p>\n\n<h3><em>End of Times 3: Precious Time:\u00a0<\/em>A Panel Discussion with Artists<\/h3>\n<p class=\"p1\"><span style=\"color: #999999;\"><em>End of Times 3<\/em>\u00a0Letterpress Print Exhibition (February 2019)<\/span>\n<span style=\"color: #999999;\"> <span class=\"s1\">College of Saint Benedict; St. Joseph, MN\nSoo Visual Arts Center; Minneapolis, MN<\/span><\/span><\/p>\n<p class=\"p2\"><i>End of Times 3<\/i>\u00a0is a traveling group print exhibition of 40 contemporary letterpress printers, curated and coordinated by artist Mary Bruno. Each gallery invited artists to speak on how the exhibition\u2019s theme, time, relates to their work.<\/p>\n\n<h3>Letterpress Workshop Instructor<\/h3>\n<p class=\"p1\"><span style=\"color: #999999;\">AIGA &#8220;Into the Woods&#8221; Design Conference (Oct. 5\u20137, 2018)<\/span>\n<span style=\"color: #999999;\"> <span class=\"s1\">Sleeping Lady Lodge; Leavenworth, WA\u00a0<\/span><\/span><\/p>\n<p class=\"p2\">I loaded up the wagon for my favorite design conference with toys from the School of Visual Concepts&#8217; letterpress print shop. During this weekend of creative fun in the American Alps we used natural materials, foraged from the forest floor, to create pictorial &amp; typographic monoprints. We also played with wood type &amp; experiment with hand-inking &amp; overprinting! Produced by AIGA Seattle.<\/p>\n\n<h3 class=\"p3\"><span class=\"s3\"><a href=\"http:\/\/www.typecon.com\/program#friday\">Hello My Name Is\u2026 Most Likely Not Futura (A Letterpress Adventure in Metal Type Identification)<\/a>\u2003<\/span><\/h3>\n<p class=\"p3\"><span style=\"color: #999999;\"><span class=\"s3\">TypeCon XX (August 3\u20135, 2018)\n<\/span><span class=\"s4\">Society of Typographic Aficionados (S<em>o<\/em>TA); Portland, OR<\/span>\n<\/span><\/p>\n<p class=\"p4\"><i>Abstract: <\/i>The Panama Papers made waves as \u201cFont Gate\u201d in mainstream media last year, illuminating how forensic typography can authenticate documents in the digital age. But for letterpress printers working with analog type collections, an entirely different set of forensic techniques are needed to identify imposters.<\/p>\nIn this reverent tale of an apprentice continuing the work of her mentors, Amy Redmond shares how a routine inventory review of Stern &amp; Faye Printer\u2019s metal house face, Futura, uncovered questions about its accuracy. Learn the techniques she used to unearth the true identities of its family members, and why she felt compelled to embark on an adventure in conscientious type stewardship.\n\nConnecting the dots between Portland and Seattle\u2019s living letterpress history, Amy shows how each generation bears the responsibility of custodianship and shares how amateur type-sleuths can help ensure these treasured collections get passed forward with their ancestry intact.\n<h3><em>End of Times 2: <\/em>A Panel Discussion with 7 Artists<\/h3>\n<p class=\"p1\"><span style=\"color: #999999;\"><em>End of Times 2<\/em>\u00a0Letterpress Print Exhibition (April 2017)<\/span>\n<span style=\"color: #999999;\"> <span class=\"s1\">College of Saint Benedict; St. Joseph, MN\u00a0<\/span><\/span><\/p>\n<p class=\"p2\"><i>End of Times 2<\/i> is a traveling group print exhibition of 40 contemporary letterpress printers, curated and coordinated by artist Mary Bruno. In this opening reception panel discussion, 7 of the 40 artists gathered in Minnesota to talk about the exhibition\u2019s theme of perseverance and how it relates to their work.<\/p>\n\n<h3 class=\"p3\"><span class=\"s3\"><a href=\"https:\/\/hive.aigaseattle.org\/amy-redmond-jenny-wilkson\">Festina Lente: The New Push to Hasten Slowly<\/a>\u2003<\/span><\/h3>\n<p class=\"p3\"><span style=\"color: #999999;\"><span class=\"s3\">Hive Design Conference (May2017)\n<\/span><span class=\"s4\">American Institute of Graphic Arts (AIGA); Seattle, WA<\/span>\n<\/span><\/p>\n<p class=\"p4\"><i>Abstract: <\/i>In a society that is rapidly changing with the rise of technology, why are some designers consciously choosing to hasten slowly, adopting more time-consuming, analog methods rumored to be on their way out? Digital progress is distracting us from one of our greatest human needs: the time to pause, reflect, and engage meaningfully with our community. The age-old adage of \u201cFestina Lente\u201d is new again as the analog experience becomes more valuable, not less, in the 21st century.<\/p>\n<p class=\"p2\">Visual designers Amy Redmond and Jenny Wilkson share how they\u2019re successfully shattering the binary ceiling in the unlikeliest of places: the School of Visual Concepts\u2019 letterpress studio in South Lake Union, ground zero of Seattle\u2019s tech boom. Drawing on 15 years of experience teaching old tricks to new dogs, they\u2019ll show that innovation doesn\u2019t have to be an either\/or battle between the analog and the digital. By embracing the future of technology along with its past, they\u2019ve stumbled upon a formula for fostering social change and scratching the creative itch we\u2019ve all been feeling.<\/p>","protected":false},"excerpt":{"rendered":"<p>Honors |\u00a0Exhibitions |\u00a0Publications | Speaking\/Teaching HONORS GAP Award Recipient (2018) Grant for Artist Projects (Artist Trust) In 2018 I received GAP Award funding from Artist Trust to add safe, energy-efficient heating to my printmaking studio. This grant helps protect my irreplaceable letterpress equipment from the damaging effects of cold marine air and affords me the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/amyredmond.com\/amadapress\/prints\/wp-json\/wp\/v2\/pages\/158"}],"collection":[{"href":"https:\/\/amyredmond.com\/amadapress\/prints\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/amyredmond.com\/amadapress\/prints\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/amyredmond.com\/amadapress\/prints\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/amyredmond.com\/amadapress\/prints\/wp-json\/wp\/v2\/comments?post=158"}],"version-history":[{"count":53,"href":"https:\/\/amyredmond.com\/amadapress\/prints\/wp-json\/wp\/v2\/pages\/158\/revisions"}],"predecessor-version":[{"id":729,"href":"https:\/\/amyredmond.com\/amadapress\/prints\/wp-json\/wp\/v2\/pages\/158\/revisions\/729"}],"wp:attachment":[{"href":"https:\/\/amyredmond.com\/amadapress\/prints\/wp-json\/wp\/v2\/media?parent=158"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}